2012-2013 Season

In this beloved comedy classic, Mrs. Savage has been left ten million dollars by her husband and wants to make the best use of it, in spite of the efforts of her grown-up stepchildren to get their hands on it. These latter, knowing that the widow's wealth is now in negotiable securities, and seeing they cannot get hold of it, commit her to a "sanatorium" hoping to "bring her to her senses." But Mrs. Savage is determined to establish a fund to help others realize their hopes and dreams. In the sanatorium she meets various social misfits, men and women who just cannot adjust themselves to life. The self-seeking stepchildren are driven to distraction by their vain efforts to browbeat Mrs. Savage, but she preserves her equanimity and leads them on a merry chase. At last her friends conspire to get rid of her stepchildren, and through their simple belief in the justice of her cause, they enable Mrs. Savage to carry out her plans. The dominant mood is high comedy, and the audience is left with a feeling that the neglected virtues of kindness and affection have not been entirely lost in a world that seems motivated at times by greed and dishonesty. Great ambiguity regarding who is civilized and who is SAVAGE...

In this retelling of Robert Louis Stevenson's famous story, Dr. Jekyll is introduced just as he is on the brink of discovering the key to man's inner reality. One evening he experiments on himself and finds that his formula works. Unfortunately, his "real" self turns out to be the monster Edward Hyde. As Jekyll continues his research, his fiancée and friends slowly become aware of the changes in him but are powerless to help. When Hyde brutally murders one of the young maids, he realizes his experiment has gone too far.

Winner of the 2001 Pulitzer Prize and Tony Award for Best Play. On the eve of her twenty-fifth birthday, Catherine, a troubled young woman, has spent years caring for her brilliant but unstable father, a famous mathematician. Now, following his death, she must deal with her own volatile emotions; the arrival of her estranged sister, Claire; and the attentions of Hal, a former student of her father's who hopes to find valuable work in the 103 notebooks that her father left behind. Over the long weekend that follows, a burgeoning romance and the discovery of a mysterious notebook draw Catherine into the most difficult problem of all: How much of her father's madness ‐ or genius ‐ will she inherit?

In the opening scene, two Supreme Beings plan the beginning of the world with the relish of two slightly sadistic suburban wives decorating a living room. Once they've decided on the color scheme of the races, a little concerned that white people will feel slighted being such a boring color, they create sex and the sexes. From this moment, the audience is whisked through the outrageous universe of Kathy and Mo, where two actresses play men and women struggling through the common rituals of modern life: teenagers on a date, sisters at their grandmother's funeral, a man and a woman together in a country-western bar. With boundless humor, PARALLEL LIVES reexamines the ongoing quest to find parity and love in a contest handicapped by capricious gods ‐ or in this case, goddesses.

Winner of the New York Drama Critics Circle Award for Best Play. During the war Joe Keller and Steve Deever ran a machine shop which made airplane parts. Deever was sent to prison because the firm turned out defective parts, causing the deaths of many men. Keller went free and made a lot of money. The twin shadows of this catastrophe and the fact that the young Keller son was reported missing during the war dominate the action. The love affair of Chris Keller and Ann Deever, the bitterness of George Deever returned from the war to find his father in prison and his father's partner free, are all set in a structure of almost unbearable power. The climax showing the reaction of a son to his guilty father is fitting conclusion to a play electrifying in its intensity.

Have you ever been tempted to flee your own life? Becky Foster is caught in middle age, middle management and in a middling marriage ‐ with no prospects for change on the horizon. Then one night a socially inept and grief-stricken millionaire stumbles into the car dealership where Becky works. Becky is offered nothing short of a new life … and the audience is offered a chance to ride shotgun in a way that most plays wouldn't dare. BECKY'S NEW CAR is a thoroughly original comedy with serious overtones, a devious and delightful romp down the road not taken.